12/11/2022 0 Comments Pompeii graffiti![]() Aylward, Los Altos, CA: Packard Humanities Institute (2013), 178-191. "The Graffiti," in: Excavations at Zeugma, edited by W. "The Herculaneum Graffiti Project," ISAW Papers 7.4: Current Practice in Linked Open Data for the Ancient World, edited by T. "Ancient Graffiti in Pompeian Domestic Spaces," in: Öffentlichkeit - Monument - Text: Akten des XIV Congressus Internationalis Epigraphiae Graecae et Latinae, edited by W. Sypniewski, “Images and Text on the Walls of Herculaneum: Designing the Ancient Graffiti Project,” Off the Beaten Track. Opdenhoff, “The Herculaneum Graffiti Project: Initial Field Season, 2014,” The Journal of Fasti Online. Benefiel, “Good Fortunes at Oplontis? A reconsideration of SEG 38.1001,” Zeitschrift für Papyrologie und Epigraphik 200 (2016), 229-233. "Regional Interaction," in: A Companion to Roman Italy, edited by A. "The Culture of Writing Graffiti within Domestic Spaces at Pompeii," in: Inscriptions in the Private Sphere in the Greco-Roman World, edited by R. Pompeii et Herculaneum: Graffiti,” Italia Epigrafica Digitale (2017) vol. Presenting and Perceiving Monumental Inscriptions in Antiquity and the Middle Ages, (eds.) I. “Urban and Suburban Attitudes Toward Writing on Walls: Pompeii and Environs,” Writing Matters. “Gladiators, Greetings, and Poetry: Graffiti in first century Pompeii,” Scribbling Through History: Graffiti, Places and People from Antiquity to Modernity, (eds.) C. Sypniewski, “Greek Graffiti in Herculaneum,” American Journal of Archaeology vol. Īnd Chapter 20: “Catalogue of the Graffiti,”. Muntasser, New York: American Council of Learned Societies (2019). The Decorations: Painting, Stucco, Sculpture, Pavements, (eds.) J. Davis, Ann Arbor: Kelsey Museum of Archaeology (2019), 119-133.Ĭhapter 19: “The Scope and Typology of the Graffiti at Oplontis,” in: Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy. “Graffiti in Pompeii, Italy,” in: Graffiti as Devotion along the Nile and Beyond, (eds.) G. Pompeii – Tituli scariphati,” Italia Epigrafica Digitale (2020) v. Peirano, Cambridge, MA: Harvard University Press (2021), 3-31. “Editing ancient inscriptions,” in: The Lives of Latin Texts. Benefiel, “Imperial Epistaxis and Edema: Insights into the Death of the Roman Emperor Hadrian,” Ear, Nose & Throat Journal (2021), 1-3. “Graffiti in Religious Spaces in First-Century Pompeii: Lararia, Neighbourhood Shrines, and Graffiti in the Early Roman Empire,” in: Cultic Graffiti in the Late Antique Mediterranean and Beyond, (eds.) B. Inscriptions in the Private Sphere in the Greco-Roman World, (eds.) Rebecca Benefiel and Peter Keegan, Leiden: Brill, 2016. Other courses include Beginning and Intermediate Latin, and Advanced Latin Literature seminars on Suetonius, Ovid's Heroides, and The Representation of Rome in Latin Poetry Selected Publications Professor Benefiel teaches a range of Latin and Classics course including:ĬLAS 288 - Study Abroad: The Archaeology of the Roman EmpireĬLAS 343 - Classics in a Digital Age (The Roman Emperor) The Oplontis Project (Contributing Scholar) Teaching The Herculaneum Graffiti Project (Project Director) Pompeii and Herculaneum, Roman archaeologyĮAGLE, The Europeana network of Ancient Greek and Latin Epigraphy (Contributor) Latin epigraphy, Roman social and cultural history, Latin literature, in Greek and Latin, University of North Carolina at Chapel Hill, 1993-1997Īwarded with Honors and Highest Distinction Graduate study in epigraphy, L'Università di Roma 'La Sapienza', 1997-1998ī.A. in Classics, Harvard University, 1998-2005 President, American Society of Greek and Latin Epigraphy (ASGLE), 2021, 2022 Women and Gender Studies Program, Affiliated Faculty ![]() Medieval and Renaissance Studies Program, Core Facultyĭigital Humanities Working Group, Humanities Faculty Abigail Grigsby Urquhart Professor of Classicsĭepartment of Classics, Professor and Department Chair ![]()
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